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  • 德拉克的回归

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    剧情片

      与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有街头怒火明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。  A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized p新金枝玉叶rose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

  • 沙漠往事

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    战争片

    巴啦啦小魔仙之奇迹舞步全集  2016 年,俄罗斯雇佣兵沙贝罗夫在叙利亚当排雷工兵,这本该是他职业生涯的顶峰,但他不久就爱上了一名俄叙混血女儿,并决定去沙漠古城拯救她……

  • 血婴1990

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    恐怖片

      世界之初,当生命的第一把 火燃烧在非洲大地上时,一切生命形式都开始产生了。为了诞生成人,它附在年轻女子比安卡腹内,并不断吸取新鲜人搞笑的笑话血以获取诞生的力量...      一个魔鬼进入到年轻女子的 体内,需要饮鲜血才能活下来,于是女子杀人来喂养肚子里的恶魔      法国1990年阿兰.罗贝克 (《读脑人》)执导的恐怖片,艾曼纽.艾斯科罗(《巴黎怨曲》)、弗朗科斯.弗拉皮埃尔(《情场世界波》)主演。

  • 沙漠往事

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    动作片

    2016 年,俄罗工藤兰斯雇佣兵沙贝罗夫在叙利亚当排雷工兵,这本该是韩国大胆人体艺术他职业生涯的顶峰,但他不久就爱上了一名俄叙混血山里红动动广场舞女儿,并决定去沙漠古城拯救她……

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