-
-
要爱的女人
HD中字
喜剧片
法国/意大利1967年让.吕克-戈达尔、克劳德.欧唐-劳拉(《狂爱情挑》)、莫洛.鲍罗尼尼、菲利浦.德吴彦祖张静初-布洛卡(《杀手闹翻天》)等六位导演合导的六部短片，讲述了女性成长阶段的6个不同时期的故事，弗兰西丝.布兰切等6位当时的欧洲女星主演。 这是一个从原始时代到未来时代的演变过程，有天真浪漫的沙滩少女、雍容华贵的古罗马艳后、泼辣机智的风尘女子...剧中的每个女人都有其独特的美，走进女人世界，让你更了解女人。
-
要爱的女人
HD中字
剧情片
法国意大利1967年让.吕克-戈达尔、克劳德.欧唐-劳拉(《狂爱情挑》)、莫洛517影院.鲍罗尼尼、菲利浦.德-布洛卡(《杀手闹翻天》)等六位导演合导的六部短片，讲述了女性成长阶段的6个不同时期的故事，弗兰西丝.布兰切等女土匪传奇6位当时的欧洲女星主演。 这是一个从原始时代到未来时代的演变过程，有天真浪漫的沙滩少女、雍容华贵的古罗马艳后、泼辣机智的风尘女子...剧中的每个女人都有其独特的美，走进女人世界，让女王之刃第二季你更了解女人。
-
英俊的安东尼奥1960
HD中字
剧情片
故事发生在意大利的卡塔尼亚，安东尼奥（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）生得一副英俊的面孔，是小镇里有名的花花公子。许多姑娘a4yy影院在线观看被他的传闻撩得心痒痒，慕名而来希望成为他的妻子。最终，安东尼奥选择了名为芭芭拉（克劳迪娅·卡汀娜 Claudia Cardinale 饰）的女子，两人携手步入了婚礼的殿堂。 结婚之后，芭芭拉才发现自己的丈夫外强中干，实际上是个性无能，感觉受到了欺骗的芭芭拉决定离开安东尼奥。为了保全儿子的颜面，安东尼奥的父亲做了许多的荒唐事，并且最终死于非命，而安东尼奥却在无心插柳的情况下，成功的令家中的女仆怀孕。
-
狂乱之夜
正片
剧情片
一个人看在线观看免费播放 The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen thhttps 快喵 comeir cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce 丰满高潮大叫少妇some women.
-
英俊的安东尼奥
正片
剧情片
故事发生在意大利的卡塔尼亚，安东尼奥（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）生得一副英俊的面孔，是小镇里有名的花花公子。许多姑娘被他的传闻撩得心痒痒，慕名而来希望成为他的妻子。最终，安东尼奥选择了名为芭芭拉（克劳迪娅·卡汀娜 Claudia Cardinale 饰）的女子，两人携手步入了婚礼的殿堂。 结婚之后，芭芭拉才发现自己的丈夫外强中干，实际上是个性无能，感谷歌网赚联盟觉受到了欺骗的芭芭拉决定离开安东尼奥。为了保全儿子的颜面，安东尼奥的父亲做了许多的荒唐事，并且最终死于非命，而安东尼奥却在无心插柳的情况下，成功的令家中的女仆怀孕。
-
女巫 1967
正片
喜剧片
"The Witch Burnt Alive" 东京热图; After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain弃后 resort, only to find the well-to-do inhabitants have pre...
-
-
少妇安吉娜
剧情片
鼠疫肆虐后的威尼斯线人粤语版迎来了一位英俊多情的富家公子，在这座迷人的水城他邂逅了两位美丽的威尼斯女人：优雅的瓦莱丽娅与温婉的安琪拉。 不论哪个都是风情万种的尤物，都像夜幕下水城一样柔波荡漾，令人心迷神醉。主角游走于这两个女人之间，开始了一段难忘的威尼斯之旅...书房宠婢hp
-
黑色日记
剧情片
Lea 是一位成熟的那不勒斯女性，在北部城市的乐透 (Lotto) 经营票房，生了 13 个孩子，但草蜢社区在线播放除了一个孩子外，其他人都死于堕胎或几个月后的生命。唯一的幸存者米歇尔被她以病态的感情照顾：她确信她通过与她谈判将它从死亡中偷变态传奇私发服走，所以她不愿意放弃它......
-
我的青春
剧情片
Metello努力成都4片p完整免费观看摆脱导致父母早逝的贫困，这是19世纪下半叶意大利北部工人阶级的命运。Metello通过努力工作，坚定的意志抵抗来自父亲的压迫，同时也通过利用自己的美貌来摆脱自己的状态。。。
-
女巫 1967
剧情片
“女巫被活活烧死”在经历了一段很长但视觉上引人菠萝蜜app污视频注目的动画片头片尾字幕后，卢奇诺·维斯孔蒂（Luchino Visconti，《威尼斯之死》）执导了第一个故事，这是五个故事中最长的一个，约占电影片长的三分之一。曼加诺饰演一位超级明星女演员和模特，她去了一个山区度假胜地，却发现富裕的居民基于末路皇妃她的公众形象对她有偏见和先入为主的观念。女人们都很嫉妒，男人们都想和她上床，但曼加诺只想一个人呆着。这是老婆不在家看的网站一部大多是阴郁的讽刺作品，但从故事的角度来看，它在其温和的想法中显得有点长，变得无关紧要，除了那些对成名的现实着迷的人。
-
遗产 1976
剧情片
1880年，罗马。格雷戈里奥决定关闭他的面包店，家族tap 完全饲养企业。然后他告诉他的儿子皮波、马里奥和女儿泰塔，他们将不得不自生自灭。但新婚的艾琳，皮波的妻子，一个美丽、精于算计、野心勃勃的年轻女子，想接手遗产。她根据情报采取行动，权衡每一步及其后果，设法含羞草影院研究院网站免费说服兄弟们，他们必须不惜一切代价防止他的父亲再次坠入爱河，以避免失去遗产的风险。
-
茶花女 1981
剧情片
阿尔方斯妮本是一位出生在偏僻小村庄里的穷苦姑娘，被贪婪的父亲卖给了商人，之后一路辗转颠沛流离来到大神有约了繁华的大都市巴黎。凭借着迷人的美貌和过人的智慧，阿尔方斯妮一举成为了巴黎上流社交圈内的交际花，整日生活在荼蘼的灯红酒绿之含羞草传媒黄app下载中，人们送给了她“茶花女”的美誉。一次偶然中，阿尔方斯妮邂逅了作家小仲马，情不自禁的坠入了情网。然而，两人的经历和身份悬殊实在巨大，这段感情将注定不会有一个圆满的结局。
-
狂乱之夜1959
DVD
剧情片
The exploits of three young Roman criminals are chronicled in this soc法证先锋3粤语ially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have sto温苒傅慎言小说len their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.
-
女巫1967
DVD
喜剧片
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satiric韩国朴妮唛qvodal piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
-
